Ok so my first focus that I picked out of my bag was WORKING WITH CLEAR FEET.
this to me was fairly comfortable as I have a clear connection that runs down my legs, into my feet and into space. This is something that I can visualise well.
I imagined during this week and in particular Katye's class that the floor was really hot. This then made my movements faster and that my feet never stop in one place. This therefore enables me to travel around the room. The clarity of the 'hot' floor made the articulation of my feet clear and concise.
There is something also about the more I think about clear feet the more it becomes about creating a stable structure. This means that the connection with my feet to the floor becomes extremely clear and then travels up through me body to my core. This then makes me stable.
Also with clear feet I am noticing that I can track certain pathways in an easier way. For instance I can track long curves with clear points of contact on the floor. This helps with my pathways as I find travelling a little confusing sometimes. In that if I don't see a purpose to travel to a different area in the space I tend to just stay in the same place moving in circles.
So far this magic bag game seems to be working. Although this is my first week trying out the game. However it has given me a clear focus that I can build upon and in a few weeks time I will be trained to slip into attention and concentration without having to select a specific focus.
Monday, 20 January 2014
The Magic Bag
Ok so to tackle my thoughts on how I can get more out of my movement classes I have introduced a little game that I do every Monday morning. I have a bag and in the bag has different focuses for class. Every Monday morning when I get into uni I pick out a focus and I take this with me for every class I have during the week. The focuses include:
- LENGTHEN
- SPIRAL
- GO TO THE EDGES
- SKULL
- MUSCLE
- BONE
- BREATH
Aspirations for term 2, MS3
My aspirations for this term include building upon my aspirations that I set during term 1. I intend to develop and process these aspirations and invite further questions and curiosities. My aspirations for this term are:
- To keep finding useful links across my MS3 classes and to recognise when these happen. For example how the naval radiation pattern helps in set phrases that focus on lengthening and expanding to my edges.
- To allow myself to move however my body wants to move, even when it is something that I wouldn't normally do. Embrace the different outcomes in my movement rather than worrying about what it looks like.
- LENGTHENING, this is something that has haunted me since second year and I am still trying to figure out ways how I can allow my body to lengthen in the space. There is something in trying to open up my hips and the valley like spaces without forcing. Softening helps which I have referred to in my earlier posts and this is something I will continue as it seems to work.
- BE SEEN! although I am getting better at this I still find seeing and being seen uncomfortable. this term I intend to find new ways in which I can drop this and to embrace the idea of sight.
Thursday, 16 January 2014
DECEMBER ENTRY, continued, MS3
Along with my tutorial with Natalie we also had one more class in 2013. We concentrated on the Spine and the idea of Yielding into the ground in order to find movement. For me this was simple but I understood it fully. There is something in yielding that is present in my movement. I noticed this when I was in the prayer position and in order to move I needed to move backwards to go forwards. This movement is very subtle yet I can clearly feel this in my moving.
We worked in partners and we mapped each others spine when we were in this position. I found that the more I concentrated on my partners position of the spine the more I noticed mine. My spine became visible in my mind whereas normally I don't think about my spine. It was interesting because my spine felt bigger and longer than normal. I also found that the slower my partner moved the more I could feel the space in between each vertebrae. the more space there is the more movement is allowed as it has more freedom.
I just thought that blogging about this yielding and the movement we need to do in order to move would be interesting for me as it is clear in my mind and I feel that I will take this into my other classes and see when exactly this movement happens.
We worked in partners and we mapped each others spine when we were in this position. I found that the more I concentrated on my partners position of the spine the more I noticed mine. My spine became visible in my mind whereas normally I don't think about my spine. It was interesting because my spine felt bigger and longer than normal. I also found that the slower my partner moved the more I could feel the space in between each vertebrae. the more space there is the more movement is allowed as it has more freedom.
I just thought that blogging about this yielding and the movement we need to do in order to move would be interesting for me as it is clear in my mind and I feel that I will take this into my other classes and see when exactly this movement happens.
Tuesday, 14 January 2014
Study Group Thoughts
Here are my current thoughts on MS3 and this is what I bought to the group tutorials with Natalie.
What
library books / books on the module guide reading list have you sourced to
support your practice?
This book has
aided in my understanding with the connection between my Friday morning classes
and my Feldenkrais class. Feldenkrais is an important practice that feels clear
with the information that I am being given in both the Friday morning class and
any extra reading I have been doing.
Which
class reading have you found most interesting and why?
·
Cohen,
B. B (1993) Sensing, Feeling, and Action: The Experiential Anatomy of Body-Mind
centering. Contact Editions: Northampton ,
MA
The perceiving
in action article was particularly interesting for me as it explores the
different movement patterns we learn when we are in infancy. The Spinal
movement was interesting for me as it is an important movement to learn. The
skull is an instigator in this sense and once the skull moves the spine then
follows. This is how a baby learns how to roll over. Its fascinating for me as
movements such as this in every day life we take for granted but without
learning it as a baby we would find it difficult to move now. This reading made
it clear for me the different movement patterns that I practice in other
classes. I have found this connection and the more I read this and then
practice the more my brain remembers and the connection is stronger.
Which
moodle web resource was most interesting to you & why?
The most useful
web resource on moodle for me was the jellyfish pulsation video. I found this a
very helpful visual aid of the pulsation action we were introduced to in class.
As a visual learner this video made me understand more with how the jellfish
moves. From this I was able to take this into my movement and explore the
pulsation of contracting and expanding. Once I had seen the video I realized
how the movement should both look and feel. Once I returned to the pulsation
exploration in my self study task I found the information of pulsation a lot
clearer and as a result my movement became more fluid and smooth. I began to
envisage myself as a jellyfish which aided my understanding of pulsation.
Which
study group members' blog post did you find most interesting and why?
I found Steph’s
October Blog entry interesting as a lot of questions surfaced. For me as well I
found this and as Steph states “all of these questions are like puzzles” and
over the next few terms we will try to find the answers. That’s if we do find
solid answers, I expect to find possible answers which throw up a lot of
questions. Steph also makes reference to the NRP and how this has aided her in
other studio classes. Steph has found a great connection to lengthen out in the
technique classes due to thinking about the NRP. Once I had read this I began
to think what the NRP does for me. I too use this in order to lengthen out into
space and I mainly use it to ground me and my core so this then enables my
limbs to be supported in movement.
Give
one or two examples of how your own practice has developed this term? How has
reflective practice supported this? What connections have you been able to make
across your different studio classes? Which movement principle &/or
practice(s) have you found most useful and why?
During the
first few classes a lot of questions surfaced about my movement practice, this
happened because the BMC work that we were doing made me think very deeply.
These questions have developed my practice because in every class I try and
apply these questions to the specific thing we are doing in class and then I
enjoy trying to find possible answers. I am inquisitive about finding new
movement and as these questions have become a strong part of my daily practice my
movement then becomes new and unexpected. I find new ways of moving all of the
time. There is also something about finding my middle line through the body
which I tried to feel in my second year. Now that I know my middle line is the
digestive track I can sense and imagine moving through this. This particular
practice has supported my reflective exploring outside of class. As it is more
of a difficult thing for me to imagine the more I practice it the more I
understand. This middle line has aided me in my Feldenkrais classes. The line
enables me to find a sense of grounding and stability in these classes. For
example one class we worked with moving our arms back and forth which required
use to keep stable in our cores. The middle line gave me a focus which then
gave me the ability to move my arms more freely.
What
would you like to develop further in your practice next term?
I would like to
develop my knowledge and understanding of the creature timeline and to be able
to appreciate that without this my being would not be what it is today. I would
also like to integrate the different patterns and lines that we have been
learning about into all of my studio practices. For example some patterns are
easier for me to connect with but I must not shy away from the ones that I find
difficult to apply. Id like to push myself in making the patterns and lines
offered work for me and my movement, rather than how it should work in general.
I feel I judge myself sometimes when I’m trying to figure something out and
that then affects the quality of my movement. Next term I intend to eliminate
this from my journey.
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